Abstract
Whether on the streets of a Western metropolis or in the courtyard of a temple in rural Bengal, there is nothing more typical for
Gau∂îya Vaishnavism than kîrtana. This Sanskrit word has general meanings such as “mentioning, repeating, saying, telling” (Monier-Williams 1995: 285), but here kîrtana or saõkîrtana means the congregational singing of the names or exploits of God (in Gau∂îya Vaishnavism generally identified with Krishna) to the accompaniment of musical instruments. Such kîrtana is often seen either as a means towards awakening loving emotions (bhåva) towards the Lord or as an overflow of such feelings, and it is not
unusual to see participants break out in dance, laughter or tears.
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